All posts by Steve Stern

There will always be an England department

Swan upping   According to the guardian , The Queen of England owns all the UK’s mute swans. The way that is written, I am not sure if she just owns the swans that are mute or if the swans are mute and she owns them all. If this worries you, it might help to know that she only exercises her right of possession around Windsor.

Still, the swans have to be kept track of – counted and weighed – and somebody has to do it. That job falls to the Royal Warden of the Swans, biologist Christopher Perrins, and the Marker of the Swans, David Barber. The counting is called Swan Upping, and As they row past Windsor Castle, the swan uppers salute “Her Majesty the Queen, Seigneur of the Swans” in a time-honoured ceremony.

It is nice to know that the Old Ways still live.

 

 

 

Wolf Hall

Cromwell-ThomasTo achieve anything, you must be prepared to dabble on the boundary of disaster. Stirling Moss

I started reading Wolf Hall, a week or so ago, and I am both admiring the audacity of the book and loving the writing. A confession is due here, when I started reading the book, I thought it was a book about Oliver Cromwell and I couldn’t figure out why the dates didn’t line-up. The book is about  Thomas Cromwell, one of England’s, agreed upon, bad guys – I am told every English schoolchild knows that, like we know John Wilkes Booth is a bad guy – and is most remembered as the foil to the good guy, the Man of All Seasons, Thomas More.

First off, it is a book complimentary – at least so far – of Thomas Cromwell. But history is written by the victors, and Cromwell was not, eventually,  one of them, so who know if he was really a bad guy? Either way, the entire book is written from Cromwell’s point of view and it can be confusing. In a sentence like, The king walked into the room. He says Good Morning, it is Cromwell saying Good Morning. Often, I have to circle back to understand what was said, by whom.

The lyrical, almost poetic – no! really poetic – writing, however, is the book’s biggest joy. Sometimes it just stops me in my tracks, like when, at Christmas, Cromwell is thinking about the last year: No year has brought such devastation. His sister Kat, her husband, Morgan Williams, have been plucked from this life as fast as his daughters were taken, one day walking and talking and the next day cold as stones, tumbled into their Thames-side graves, dug in beyond reach of the tide, beyond sight and smell of the river; deaf now to the sound of Putney’s cracked church bell, to the smell of wet ink, of hops, of malted barley, and the scent, still animal, of woolen bales; dead to the autumn aroma of pine resin and apple candles, of soul cakes baking.

Often I don’t finish a book like this, my ADD and dyslexia kick in and I just get bogged down. I have tried Gravity’s Rainbow a half dozen times and Infinite Jest about as much. I marvel at the language  of the first twenty five pages and then the rowing gets too tough. I end up saying I will read it tomorrow, for two weeks, while I read New Yorker Book Reviews and an Economist article on riots in the Ukraine. But Wolf Hall is pulling me along with its story. I am concerned for Thomas and still thrilled at how well he is doing.

 

 

 

12 Years a Slave

Plantation-2

We saw 12 Years a Slave the other night, finally. I have been avoiding it for a month and a half. I am not so sure that I actually did see it, I know I was in the theater but I may have been too guarded to really let all the movie in. I probably would be useful to see it again. Nevertheless, what did come across was the utter helplessness and almost utter hopelessness of Solomon Northup – stunningly played by Chiwetel Ejiofor – once he was shipped south; the utter helplessness and hopelessness of being a slave in 1841, in the United States. Moreover, the word slave doesn’t approach the horror of the reality; to be owned by another human being, as Frederick Douglas said, for twelve years a thing…classed with mules and horses.

The movie makes it clear that the South – and, in many ways, most of the United States – was a slave society. It wasn’t just that a couple of people owned slaves and, if the slave could escape them, they would be free; everything revolved around slavery (Northup’s father was owned by a white man in Rhode Island). The Constitution was written to protect slavery. As James McPherson points out During forty-nine of the seventy-two years from 1789 to 1861, the presidents of the United States were Southerners–all of them slaveholders. The only presidents to be reelected were slaveholders. Two-thirds of the Speakers of the House, chairmen of the House Ways and Means Committee, and presidents pro tem of the Senate were Southerners. At all times before 1861, a majority of Supreme Court justices were Southerners.

As I thought about the movie the next day, several things bothered me and I began to wonder if the book was real. I have since read that they were not in the book but added to the movie for reasons I don’t understand, taking them out does make the book believable. Frederick Douglas believed it, as did Harriet Beecher Stowe, so who am I to doubt?

What also comes across in the movie is that the slave system was a means of social organization and control that extended way past the plantation. And the plantations! In our national mythology, they are peopled by Thomas Jeffersons and Vivien Leighs along with some happy dark people. In 12 Years a Slave, the closest we get to Jefferson is Mr. Ford – played by Benedict Cumberbatch – and, actually, he is pretty close. Like Jefferson, Ford spouts pieties while worrying how much his slaves are costing him or making for him. For Vivien Leigh we get Mistress Ford who confronts the problem of a Eliza, a black woman, having her children stolen from her, with, Some food and some rest, your children will soon be forgotten. When the Eliza doesn’t stop crying after a couple of days, the problem is solved by selling her.

Think about that for a second, these are human beings who are bought and sold. Ford bought Eliza without her kids because he couldn’t afford the whole package, so, What the hell, just buy the mother. He payed a $1,000 for Solomon – who even has his name taken away – and when Solomon becomes a problem, he is sold because Ford doesn’t want to incur the loss.

Nevertheless, the women are both the biggest heavys – and the biggest victims – in 12 Years a Slave. At first look, it seems like the brutal and insane slave breaker, Mr. Epps, is the worst human being in the movie – a movie filled with despicable human beings – but he is nowhere near as bad as his wife. Her cruelty out of jealousy because her husband is serial rapeing Patsy seems to have no gain except satisfaction in seeing somebody suffer.

Even before I saw this movie, even before I saw Django Unchained, I started having the feeling that a good part of America is ready to face our racist Past and, by extrapolation, our racist present. Not all of it, not everybody, not even everybody I know. I don’t think that makes us post racial as a country. I do think that makes us increasingly able to talk about race and talk about it more objectively.

Obama is part of it, no doubt, but so is the fact that  this NFL season started with nine African-American quarterbacks (in the 80’s or 90’s they would have been diverted to play receiver or cornerback). Lewis Hamilton and Oprah are part of it, but so is Django and Morpheus. Each time we see people of color exell, it moves the public expectation just a little bit. Much of the right expected Obama to lose to Romney because of their expectations – Romney is white and smart and successful and all Obama ever did was go up against an old man – they also thought Congress could outplay him. I think that those are mistakes that are less likely to be made in the future.

One hundred fifty years after the Civil War, forty five years after Tommie Smith and John Carlos stood proudly on the winner’s platform in Mexico City, it is about time.