Category Archives: Photography

Death Valley Easter Trip 2013: Eureka Valley

 

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My preference is to drive to the desert, especially the deep desert, during the day. I like watching the subtle change from green to brown, and red, and yellow; from Civilization to the Great Empty. (About twenty years ago, I dropped Michele off at work and drove all day to Page, Arizona, to meet her flight that night. I had a deep feeling of where I was while Michele, having just got off the plane, wasn’t even sure which way was north.) On this trip, we left Bishop at about 10:00 PM after a late dinner and drove south to Big Pine where we turned east to drive into the White Mountains just as a large moon was rising.

When we entered Eureka Valley,  it was bright enough to get a sense of the vastness of the valley – really a graben – but not bright enough to easily spot the camping spot I had planned on. What we did find worked great and, after a leisurely breakfast we went south about ten miles on the Eureka Dune Road to the Eureka Dunes (duh!).

JR had already been up since before sunrise and had gone for a long walk and his enthusiasm, added to Gina and Courtney’s. I have been going to the desert – mostly Death Valley, but also The Mojave National Preserve, Anzo Borrego State Park, Northwestern Nevada, and assorted other places like the Moroccan Sahara – since the early 70’s when Iver Iverson introduced me to Death Valley and I Had a religious conversion as my very ex-wife so disparagingly put it. Michele and I got married there. But it has been hard to get friends to share my wonder, my fervor.

Over the years, I have tried, dragging people there with promises of subtle wonders. Their reactions have ranged from This is nice, let’s do it again, I’ll call you, don’t call me. to  Ugh? nice, I guess, but windy, to Where are the trees? to Can we go home now? ; but Gina and Courtney were the first people in a long time that caught the excitement that Michele and I share.

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Meanwhile, back in Eureka Valley, the Eureka Dunes are the highest dunes in California – which may be akin to being the longest earthworm or heaviest crow, interesting but not very important – at 680 feet above the dry lakebed they sit in (they look smaller because the surrounding Last Chance Range towers over them).

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We drove to the west side of the dunes, nearest the highest point and furthest from the crowded parking lot – it was packed, there must have been five cars – on the theory that we would climb to the top. I had climbed to the top, once, over twenty years ago where I ran into a guy who climbed to the almost-top with skis. He was going to ski down the steepest part, but it was a failure (for him, fun to watch for us). Everybody packed lots of water – as the temp was climbing – Gina and Michele brought snacks, and we set off across the dry lakebed to the dunes.

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Sand dunes are caused by the wind (in the desert, atleast). The wind scours the desert, picking up sand and dust. On a very windy day, so much is in the air that we can’t see across the valley, but – as the wind bumps up against a mountain and slows down – it looses its carrying capacity, dropping its cargo of sand and dust. Over time – alot of time, one grain of sand at a time – the sand and dust has built a dune 680 feet high and, maybe, a mile long. The shape of the dunes is governed by the shape of the surrounding topography that is slowing down the wind so it has been pretty much the same since the invention of the camera.

Sand Dunes - Death Valley, Ansel AdamsWhen we got into the dunes, we began to see and feel their complexity. In some places, they were hard and in other places almost too soft to get anywhere. Here would be a pattern and over there a smooth wall. On the otherside of a ridge, a valley going all the way down to the lake bed.

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And, as we climbed, the changing view of the Eureka Valley and the Last Chance range open up.

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I stopped climbing first, choosing, after our snack break to sit on a nice warm ridge and take an afternoon nap while everybody else kept at it.

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JR and Michele got the furthest, both of them – as far as I can tell – switching to barefoot sand-walking. At least they were both barefoot when they got back down to my level; JR reporting an equipment malfunction and Michele just seemed to like walking barefoot in warm sand. Then it was time to put the shoes back on, dust the sand from our butts – in my case, atleast – walk back to the cars, drive over the Last Chance Range to Upper Death Valley Wash, and find a place to camp.

Part One: Here

Next: Loosing Control here

Addendum: some additional shots from Michele

Eureka Dunes panorama - copyright Michele Stern 2013
Eureka Dunes panorama – copyright Michele Stern 2013

Steve at Eureka Dunes (by Michele)

That little group of specks on the ridge below is Gina, Cortney, Steve (different one) and Linda.
That little group of specks on the ridge below is Gina, Cortney, Steve (different one) and Linda.

 

Happy Birthday Michele Part II

Napa Winetrain-1-3Michele’s birthday, this year, turned into a season that – sort of – bled into Super Sunday (not so super here on the left coast, however). On the day after Michele’s actual birthday, we went on the Napa WineTrain with Michele’s sister, Claudia, her stepdad, Jim, and her Mom. Like any train ride that doesn’t actually go anywhere, it is more of an  amusement park activity than a ride. In this case, the train runs the mid-Napa Valley from the City of Napa to somewhere near St. Helena at about 15 miles per hour. And then returns at 15 miles per hour. Inside, we tasted wine on the way out and had a very nice lunch on the way back.

From the time we arrive at the departure station, done in a sort of old-timey brothel  station temporary-building-decorated-for-New Years style, every effort is made to make sure we are having a memorable experience.

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And, by and large, they succeed.

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The train goes up the center of the valley and it is a nice way to get a general lay of the land.

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For me it was a way to stake out some buildings that I would like to come back and photograph. The Opus One Winery, for example, which seems to be half buried in an artificial hill and the original Mondavi Winery building designed by Cliff May in 1966 (Cliff May is the designer credited with designing the California Ranch House). For all of us, it was a chance to watch the valley pass by.

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This being Napa – the same Napa that is becoming as much about food as wine – we finished the Napa part of the day at the nearby Fatted Calf. The Fatted Calf is an ordinary looking suburban butcher shop – well, maybe not ordinary any more because most butcher shops are in supermarkets and, then, only ordinary looking from the outside – that sells way upscale, organic, pasture raised, meat.

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The cost is very high, but Michele sort of works around that by getting stew meat or pork scraps for stir fry. In this case she bought a marinaded pork shoulder for phase III of her birthday season. Then it was home, watching the sunset as we headed south.

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EarthShots

Sometime ago, maybe a year, Kirk Moore recommended a daily website email? notification? to me. It is called Earth Shots – Photo of the Day Contest and I get it at about 11:00 each night, ready to open in the morning. Usually the shots are luscious landscapes like this

and, sometimes, they are great shots of animals like this.

If you like good photography, check it out.

Reflections

Last Sunday, Michele went to the annual National Bioneers Conference and we agreed to meet at the end of the day at the Tracy Taylor Grubbs Open Studio.

One of the things that is fun about going to the same Open Studio over a period of years is watching how the artist changes. Sure, sometimes they don’t change and sometimes they change all over the place at random, but, every once in awhile, the change is growth. It is like you – in this case, I – can see the artist try to solve the same, intellectual? metaphysical? problem in a variety of ways, getting closer – but, like Zeno’s paradox – never getting there because the search is really the endpoint.

I first saw this in a Jasper Johns show at the old San Francisco Museum of Modern Art at Marine’s Memorial – more accurately, it was pointed out to me on a tour put on by the  Stanford Art Department – and it seems to me this is what Tracy is doing. I have heard her talk about impermanence as a condition that interests her and, while I don’t want to speak for her, that seems to be central in what I saw last weekend (especially in her lovely iceberg paintings).

She also had on display some lovely little square images made by smoke that seemed to almost be frozen impermanence.

While Michele went to Bioneers, I took BART into The City and spent the later afternoon taking pictures of reflections.

I thought that a series of building reflections printed as small squares similar to Tracy’s smoke squares would be fun. But, sitting here, I think that these reflections reflect – sorry – my interest in what is reality vs. the distortion of reality as my projection. I see a scene – oaks and rolling, golden, hills on Highway 120 by Oakdale come to mind – and photograph it. Only when I look at the image, back home on my monitor, do I notice the power lines and towers, the dead, dry grass. What I saw is not what was there. Building reflections offer a similar distortion; the reflection on a building – so prominent in my mind’s eye – is often overwhelmed by the building I almost didn’t see.

With all that preamble, here are several reflections.

And a final picture from Southern California where the hold on reality may not be as strong.