Category Archives: Photography

Wildflowers on the Carrizo Plain Cnd.

We spent the day wandering around the Carrizo Plain, in the cold, photographing the flowers. The yellows, especially, were vibrant. This is a place that is very scenic, especially with the carpets of yellow flowers,  but, in the end, limited. There are very few places to hike – the are several short paths, but nothing long enough to spend more than an half hour – because most of the area is grassland and the thought snake in the grass probably has some basis keeps coming up.

I would like to say that the following pictures are a few samples of the photos of the day but, really, the photos were pretty much all the same. (If you double click, they will get larger.)

 

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Quantity is quality

There is a story in Art
And Fear
that goes:

The ceramics teacher announced on opening day that he
was dividing the class into two groups. All those on the left side of
the studio, he said, would be graded solely on the quantity of work
they produced, all those on the right solely on its quality.

His procedure was simple: on the final day of class he would
bring
in his bathroom scales and weigh the work of the “quantity” group:
fifty pound of pots rated an “A”, forty pounds a “B”, and so on. Those
being graded on “quality”, however, needed to produce only one
pot—albeit a perfect one—to get an “A”.

Well, came grading time and a curious fact emerged: the works of
highest quality were all produced by the group being graded for
quantity. It seems that while the “quantity” group was busily churning
out piles of work—and learning from their mistakes—the “quality” group
had sat theorizing about perfection, and in the end had little more to
show for their efforts than grandiose theories and a pile of dead clay.

I first heard this story in a photography class given by the authors of  Art and Fear, Ted Orland and David Bayles and it seems to go against everything I have heard about Art Photography. Art Photography, almost by definition, is shot with a big camera on a tripod – think the great Ansel Adams. (double click for full impact)

Ansel 

The upside is that these pictures can be blown up to huge sizes – like 30×40 inches; the problem is – using a big camera, even a 4×5 (inch negative) – the photographer gets very few pictures. That means the learning curve is pretty flat. With digital cameras, after the initial investment, the pictures are almost free. The photographer can take lots of pictures and, if the photographer is interested, the learning curve can be much steeper.

As the following photos from The Big Picture ( Boston.com), at a place and time like the Olympics, where there are lots of photographers shooting digital and paying attention, the results can be pronominal. If you are at all interested in photography, check it out. (Again, they get bigger if you double click.)

Luge

Skaters