Category Archives: Photography

A trip to the mountains west of death Valley cont.

After driving all day Thursday, we all slept in on Friday.

But it did not take very long before the sun got bright enough and hot enough to wake us. After a quickie breakfast, we packed up


and hurried over to the Eureka Sand Dunes.

The Eureka Dunes are not very large or famous but they are among the highest dunes in the United States at over 650 feet above the valley floor. They look smaller because they are framed by the striped limestone cliffs of the Last Chance Range that rise up 3000 to 4000 feet higher. Sand dunes are caused by wind blowing across the valley floor and picking up fine dust and sand; as the wind hits the higher mountains, it slows down, loses energy, and drops its heavy load. One thing that I find interesting is that the the individual grains of sand are constantly changing but the size and shape of the dunes do not.

As an aside, after getting home I realized that, with four people on our trip, I took alot less pictures than I usually do when I am only with Michele. Among things I didn’t take pictures of were the beauty of the sand dunes. Fortunately, Kirk Moore has some wonderful sand dune pictures over at his website. I highly recommend that you take a look. End aside.

By the time we got to the dunes, it was starting to warm up and the dunes were getting very bright. We hiked up about half way, maybe 350 to 400 feet, on sand that got looser and looser.

About the time that the day starting getting really hot,  heading towards triple digits. We got back in the truck and looked for shade. First it was back to the main road and then over the Last Chance Range into Death Valley itself. As we started over the last pass before Death Valley, we started seeing more plants in bloom. First the Beavertail Cactus, also known as the Pricklypear Cactus and probably known as some other names which is why people who like plants and go looking for them in the wild end up using the botanical name. In this case, Opuntia basilarus.  Just as we got to the pass overlooking upper Death Valley, we came across lots of clumps of Desert Aster, AKA Mojave Aster, or Aster mohavensis.

Then it was down into Death Valley, past Crankshaft Crossing, and on to Scotty’s Castle where we had lunch in the shade.

 

 

Pixar at the Oakland Museum

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Michele and I went to the Oakland Museum for our anniversary. What I like about the Oakland Museum is that the design – by Kevin Roche – is sixties superb and what I like even better is that it is about California art. Most museums – at least most US museums – aren't local or regional, they are aspiring to be national or international. So, when I go to a museum in a strange city, I don't see great local art, I see a second rate Jasper Johns or or third rate Amedeo Modigliani. 

But, at the Oakland Museum of California, I see first rate California art. The museum has recently been remodeled and it was pretty busy when we were there. Maybe because of the remod but probably because of an excellent show – put together by René de Guzman – on Pixar. 

For me, the Pixar show was especially interesting because I feel there is a similarity between Pixar's art and my photography. Not a similarity in quality so much as a similarity in style. Looking at the Pixar individual pictures, none seems like what I would call great stand alone art. It is story telling art. It is art because of it's context.

Standing alone, the Pixar pictures are fun but in a That would be great in a kids room. That would be great in the kitchen.  sort of way.  The pictures work best when they push the story.

When I look at photographs of a place that I have been or am going to and then look at my photographs of the same place; mine usually don't have that calendar punch. For a couple of reasons:  most published photographers shoot at the golden hour which makes anything look good – including traffic – and photographers tend to shoot the same shots and use the same tricks, over and over again because they work. Like Pixar, my photographs usually work best when they are pushing a story.

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I like to think that I have lots of photographs that stand by themselves, but I have always been a better slide show photographer than a calendar photographer. I think that is why this blog works best when it is telling a story – especially about a trip.

I’m thrilled to have a photo in the New York Times….well, sort of

Not sort of thrilled, I'm very thrilled; but I only sort of have a photo in the Times. Who really has a photo in the New York Times is René de Guzman, senior curator of art and all around good guy, in an article on the Oakland Museum. But there – just above his head and probably not noticed by anybody but René and Richard Taylor – is a portrait of René's wife that I took. 

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My 70th birthday trip over Mono Pass and down Mono Creek: part 2

(For part 1, go here)

I have not hiked extensively anywhere but the Sierras – I have hiked a little in the Andes (Peru), the Atlas Mountains (Morocco), The Alps (Switzerland), and the Canadian Rockies – but I am still convinced nothing compares to the Range of Light as John Muir called the Sierra Nevadas.

Most mountain ranges, including all of the ones above except the Sierras, are sedimentary rock, layers of brown or reddish- brown rock, lifted up and then eroded by glaciers or water. The Sierras are different, at least, the core of the Sierras; they are bright, almost white, granite. Gleaming towers of pure granite; meadows lined with glacial polished granite; with giant erratics left behind by the retreated glaciers. All in what is essentially a very high desert. It is intoxicating.

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And, as we went over Mono Pass, we were all pretty much intoxicated. The rock was almost white and the sky was dark blue; we had miles to go to get down into the valley, but lots of time.

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Time to look at the wildflowers that were blooming in the high spring, time to take a dip in Trail Lake, or just relax.

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But, with all the intoxication and all the time, we didn't get camp setup until late and finished cooking dinner in the dark. Tired and happy campers.

   

My 70th birthday trip over Mono Pass and down Mono Creek: part 1

Sometime during the last year, I decided to celebrate my 70th birthday with a trans-Sierra hike. I am not sure how, or why, I came up with this scheme, but I did. Now we are back and I am whooped, but I am still glad I came up with the idea. It did turn out to be more logistically difficult and a harder hike, for me, than I originally expected.

Part of the difficulty was that the leaving and arriving trailheads are six to seven hours apart and part of it was that, after going over the pass, the runout on the westside – for me – was still a three day walk. I am still pretty stiff and sore. But, and it is a huge BUT, the trip was very worth it.

When we Googled the fastest way from ,the west trailhead to the east trailhead, Google took us through Yosemite Valley. That just didn't seem right. Through Yosemite Valley on a Saturday, on a free weekend – that just couldn't be the fastest way. When we finally got past the denial stage to the grief stage, we knew we were in trouble. But, when we got to the tunnel view at sunset, we pretty much felt we had lucked out. 

This was the place, after all, immortalized by Ansel Adams.

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When we got there, the other lucky tourists were all, in the perfect light, taking pictures.

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When, Ansel took his picture, he must have waited hours for the right light. Standing there with a huge 8×10 camera on a sturdy tripod, a light-proof cloth over his head. We just blew through. Drove up, walked to the edge, stuck the camera in roughly the right direction, and then got back into the car and drove away. It seems both slightly cheap in the ease and liberating at the same time. The digital age is a whole new photographic ballgame. So to speak.

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*     *     *     *     *     *     *

 There were five of us on the trip and I started early, Monday, morning, walking the first part of the trial with a friend and, then, alone.

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The trail is gorgeous, leaving Mosquito Flat and slowly working up towards the pass. As we walked, we spread out along the trial and then gathered for lunch just before the final push towards the pass.

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To get an idea of the scale of the area, double click on the pic below. The small dots are members of our group.

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I say final push, I think for everybody else it was a stroll and , for me, it was slow but not that hard. After the pass, we started down – duh! – and met up again at the very high, very barren,  Summit Lake.

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From there we dropped into the Mono Creek drainage. The canyon, or valley – certainly not a canyón – opened up below us. Continued here.