Category Archives: Art

Women’s Flat Track Roller Derby Time


We went to a Women’s Flat Track Roller Derby meet last Saturday night with almost no preconceived ideas. It was delightful.

I first heard about the revival of Roller Derby in an article titled Revolution on Eight Wheels by Diane “Lady Hulk” Williams – the Lady Hulk part is very important, it turns out – in which she talked about going to a match thinking it might be exploitation and falling in love with the sport and the team. After going to one game, it seems easy to do.

I am fascinated by the way our culture is changing – especially in regard to women and minorities – and I am fascinated by the way that change is reflected back into the culture by our public stories, like Buffy the Vampire Slayer. I know, technically, that Joss Whedon wrote Buffy so it could be called non-public, but Buffy ran for seven season because it resonated with society’s changing image of women. So going to a Women’s Flat Track Roller Derby match? game? roll-off? seemed right up my alley. It was in Oakland and we went with Courtney Gonzalez.

Courtney , Michele, and I met for dinner at a local pizzeria called Pizzaiolo – although calling Pizzaiolo a pizzeria is a little like calling a Bentley a car – and then went over to the Oakland Convention Center to see the B.A.D.’s – B.ay A.rea D.erby girls – All Star team, The Golden Girls, play the Austin Texecutioners _whose colors are black and blood – as part of a Roller Derby tournament. Dinner was slower than I expected and I was getting agitated that we would be too late but we ended up getting to the game just in time. I had expected that we would walk into a packed  house and not even be able to see the track.

 

It turns out that Flat Track Women’s Roller derby is not packing in the crowds…yet. But it will. It has everything, sexily dressed women, real hard-driving athletic competition, high scoring, and a warm family outing sort of atmosphere. Oh! and it is very casual: for example, each player, of course, has a number, but the numbers have no rhyme or reason. The San Francisco numbers are 11, 101, 666, 1619,16, Ohh, 170c, and so on. And each player has a stage name? porn name? Some of my favorites were Astronaughty, Ivy Profane, Huck Sinn, and Aunti Christ on the San Francisco team and Lucille Brawl, The Killa Sal Monella, Belle Starr – her number is 1889, the year of Belle Starr’s death – and Vicious Van GoGo on the Austin team.

The persona of Women’s Roller Derby – flat track, atleast – is of tough, maybe even nasty, women. It is anything but. Maybe because the teams are owned by the players, which means women, or maybe it is for some other reason, but the atmosphere is nonthreatening. Very nonthreatening in a counter culture way. It is as if they pretended to be  tough to hide their tender, vulnerable, welcoming selves. But the games are rough and tough. Women get knocked down, they get hurt, they get knocked out of the game.

Scoring is based on – very roughly – a jammer starting behind the scrum – for lack of a better name – fighting through the scrum, going around the track and catching up with the scrum, and then getting one point for each opposing player the jammer passes. Here are a few shots:

 

 

 

 

The Golden girls won by a landslide – the first time they have beaten the Austin Team.

 

 

 

 

 

The Escape Trail

In reading Peter Kuhlman and Ophelia Ramirez’s blog – I think 99% Peter now – post about Peter’s reclaiming of his creativity and his posting of Chupacabra From La Habra, I am inspired to post a Haiku and a short  non-fiction piece I wrote in a Meditation and Creativity class I was in over the Weekend. I brought a bookmark – to class- I made from a photo I took while on a trip into Death Valley last year.

Manly died quietly
on his farm near Lodi CA
fruit trees blooming

Remembering The Escape Trail

The first thing to remember is that we went backwards- from Trona to the Panamint. From busy, dirty, mining town to Peace. Up an easy downhill, over the gentle summit, down the road that was such a struggle for Manly to lead the Bennett and Arcane families in the climb out of their hell. The oxen eaten long ago, the wagons left behind.

The Bennetts and Arccanes didn’t want to die, didn’t want to embrace Eternal Peace in the Panamint. Eternal Peace that sounded so good , sitting in the cool shade, inside Pastor Bennett’s church with its hard pews.

Under the glaring sky of the Panamint, Eternal Peace felt too much like Death. Death accompanied by the Angels of Fear, the hounding fear of thirst. Their thirst for a new life in the goldfields of California, turned into a thirst for water. Any little water.

Water we so easily carried; sloshing in the five gallon containers in the back of the truck. Sitting in front, we smiled and chatted; looking for wildflowers, going up and over the Escape Road.

We had red wine with dinner that night, not sacramental, but still welcome. We talked about Manly and how he had saved Bennett and Bennett’s wife and Bennett’s children and how, years later, when they came back to look for silver, Bennett had betrayed Manly. Leaving him for dead. Just up the road from our bright campfire.

 

It is really hard to make a good movie

Godfatherparty

And it is nearly impossible to make a great movie. That is just a fact. Making a movie, especially a big budget movie – and I don't mean a $300,000,000 big budget movie, just a $30,000,000 – is incredibly complex. If the script isn't almost perfect, the movie doesn't work; if one of the main characters is mis-cast, the movie doesn't work; if the music is wrong, the movie doesn't work; if the cinematography doesn't fit, the movie doesn't work.

Maybe I have read too much Pauline Kael, but I used to think that good movies weren't made because people weren't trying or that they were selling out. There is plenty of that, but making a good movie is really, really hard. 

I was reminded of this after seeing Morning Glory late Sunday afternoon. Both Michele and I were feeling punk Saturday, so we stayed home, built a fire, watched it rain, let the cat out when it stopped raining for a few minutes and let her back in when it started again, and watched three movies. Waiting to Exhale, It's Complicated, and Invictus (for the second time).

All four had aspirations to be very good movies. To be intertaining and say something meaningful. Each of them came close. For me, Morning Glory was the most entertaining, but they were all good. Not great, but good. I am sure that each of the directors, each of the actors,  was trying to make a great movie – or, at least, a very good movie, a better movie than the end result – and fell short. Because it is hard.

Morning-glory-movie-image-rachel-mcadams-harrison-ford-diane-keaton